Starfish
While on the Oregon coast, low tide was an hour past sunset, so photographing at that time meant improvising lighting. I really dislike using flash as it is harsh and flat. My students all know how much I dislike it, as I don’t allow them to use it on camera. If I was going to photograph the tidepools, I needed an alternative source of light. I opted for a Mini Maglight which is a small flashlight that I carry with me in my truck all the time. This light would produce a warm light (extremely warm if you don’t correctly white balance!) in contrast to the very blue light from the nighttime sky.
After determining composition and setting up the camera, I carefully calculated exposure, and then used the trial and error method to fine tune it. I determined that about 90 seconds would be needed to illuminate the starfish. I set up, opened the shutter and began painting. At about 75 seconds a wave came from nowhere and forced me to retreat! This happens all to frequently on the ocean. You must be ready! When the wave came in, I had just finished painting the starfish and was working on the background area. Upon inspecting the image and the histogram on the cameras LCD monitor, I decided to leave it alone. I liked the dark surrounding and the cooler tones around the fish. It added a little bit more depth to the image. Success!
Students often tell me that it is too dark to photograph. Not true! You just have to look at alternate methods of lighting your images. Often, these alternative methods will produce much more interesting results than shooting when it is light outside. We must, as artists, be creative not only with our vision, but also with our technique. Learning technique so well that it becomes a part of us is so important. With technique under control, we are then able to concentrate on our vision, how we see and present our vision to others. That is when we truly become artists!
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