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From Darkroom to Digital; My Photographic Evolution

Warming Trends

I grew up, photographically speaking, on black and white. Numerous hours were spent in the darkroom honing my craft. I have become a better photographer due to my printing my own work. The darkroom hours helped me to develop my vision. Not only did I search for images while with my camera, but I spent many hours with the enlarger searching my images for the real photographs. I wish all new photographers could have those experiences. They changed the way that I view the world… in a good way.

I began photographing in color only after starting to photograph digitally. I still use my black and white mentality when working in the field, but often when I return to my digital darkroom (office and computer) I find the color to be a very important part of the images. So I started leaving the color in. It has been a fun and rewarding journey that has led me to explore avenues that I think I may not have tried before. I now see more than tones, I see the warm and cool hues that work together with the tones in an image to create mood and feeling. My life has been enhanced through the use of color.

My use of color has led me in recent months to explore abstract color photography as a means of expression. I guess that should not surprise me as I have always loved abstract art. I love the work of Piet Mondrian as well as that of Jackson Pollock. In my photographs I see more than just abstract design, I see feelings and relationships. I see warmth as the sun breaks through the clouds and and warms the sand as the cool water recedes. The water and sand mix and blend along the shoreline, just as humans mix and blend their lives throughout the days and years of their existence. There is meaning in everything, we must just search to find it. My Shorelines and Horizons series of photographs have been just that, an outward expression of innermost feelings and passions. They have become more than just photographs, they are pieces of me.

Just a cloud?

Clouds

Last week I discussed photographing ordinary subjects. I love what Edward Weston had to say about the subject. “Anything that excites me for any reason, I will photograph; not searching for unusual subject matter, but making the commonplace unusual.” He also said, “I see no reason for recording the obvious.” The obvious is a snapshot, the unusual, a photograph. Recognizing the difference is the beginning of an incredible journey!

So often the unusual is right in our own backyard. It is at our fingertips and we are not observant enough to recognize it. We want to go somewhere exotic, thinking that we will find something more exciting there, when, if we would really explore where we are now we would find exciting images all around just waiting for us. The more we learn about our own surroundings and learn to become aware and observant, the more success we will find in our photography. It isn’t about where we go or with what piece of equipment we use, it is about how and what we see. Because I have learned to see I believe that my life is richer. I see things that are beautiful and inspiring when others complain about where we are. I only hope that sharing my vision will help another to see as I see, a world full of beauty, everywhere, all the time. It is there, we must just open our vision to let it in.

Marina Reflections

Reflections

As hard as it is to do sometimes, it is good to get out of your comfort zone. I teach this all the time to my students as I assign them to photograph things that are not their forte. Doing it out of choice is harder to do, though. One rainy afternoon I found myself at the marina in Newport and decided to try something new. I have always admired photographers who shoot in locations like this and work wonders with their images. This is not where I choose to do most of my work. I fail find the organization in this kind of chaos. I am about simplicity.

I made the choice to find and photograph something that day. I had no tripod with me at the time, which made matters worse. I am always on a tripod. I didn’t have any idea what I might be able to find, but I went looking. I was way out of my comfort zone.

It was a great experience. I learned that even though I don’t choose to photograph this way very often, I can do it. I began to see things that I wouldn’t normally see. I began isolating the reflections in the water from the bouts. The scenes became abstract and I saw line, color, shape and form. I learned that beauty is everywhere, we just need to open our eyes. It is about vision.It is about the love of photography.

Autumn Sunsets

Twilight

October is my favorite month to photograph. The air is cool and refreshing. The colors are great and the light is wonderful. There is a good mixture of sunny days and stormy weather… I love both! Above all, though, the sunsets are usually great.

One particular evening as I was out at the lake, I turned west just in time to see this line of birds crossing through the golden light after the sun had dropped below the horizon. I quickly turned the camera and shot. I didn’t have time to think, I just did it. I was glad to have had enough experience to know where my camera settings needed to be because I only got one frame shot and the birds were gone. It is so important to understand the technical aspects of the camera so that you don’t miss out on these kind of opportunities.

Light, Line and Color

Light is what I look for. If I find great light, I will always find a subject. In this case a small stand of trees in the middle of the red rock hillside on the island of Kauai. I noticed this on the way up to Waimea Canyon, but on the way back down at sunset the light was just right. It skims across the tree as well as the ridges of the rolling hills and creates depth in the image otherwise unattainable. The light dances across the scene creating a liveliness that was not there just a few hours earlier. Timing is everything. A photographer must be patient if he is to succeed. It is a life of looking and waiting, then at just the right instant creating. It is a wonderful life!

Reminiscing; Square Format and VPS

Sunset, Gotts Point

I used to shoot square images a lot. My wedding camera, back in the days of film, was square. I sometimes miss that Bronica. I liked the feel of it. I liked the format. It was refreshing because it was different. It was sometimes challenging to shoot interesting compositions because it was symmetrical. I got used to it and loved it. Now I shoot almost entirely digital. I have one format. Occasionally I still see square, though, and I shoot and crop. This is one such image.

While out at the lake earlier this month, I watched the sun setting and this pastel image appeared before my eyes. I set up my tripod and camera, and rotated from horizontal to vertical and back again. The image was not in the rectangle frame of my DSLR. It was most definitely square. The lines created by the rocks and the horizon leading left to right are strong. The placement of the sun in the upper right, perfect. This is the perfect composition to be photographed square. It has a strong vertical feel to it, yet it is perfectly square. My mind drifted back to my Bronica SQai. I could feel it in my hands as I squeezed the shutter. Even the color of the image is reminiscent of the color from Kodak VPS, my favorite color film that Kodak ever made. The pastel colors rendered warm and inviting. The contrast soft and smooth. This image reminds me a lot of my days shooting film. Those were good days.

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